The fox and the grapes, Kunstvereniging Diepenheim, 2017
Over the past two years the Kunstvereniging has paid special attention in its exhibitions to the mechanisms of change and the human behaviour in which these mechanisms result. Escapism, isolation, artefacts of the future and experimental organisational systems are subjects
The fox and the grapes, Kunstvereniging Diepenheim, 2017
Over the past two years the Kunstvereniging has paid special attention in its exhibitions to the mechanisms of change and the human behaviour in which these mechanisms result. Escapism, isolation, artefacts of the future and experimental organisational systems are subjects
Untitled, 2017, Materiality of the Invisible, Marres House for Contemporary Culture
These works are biofacts and biofictions that arguably refuse to become artifacts. They are made using methyl-cellulose powder, coccolithophore skeletons (in the form of calcite pigment), and seawater from the Zeeland coast (that possibly includes some live coccolithophores
Untitled, 2017, Materiality of the Invisible, Marres House for Contemporary Culture
These works are biofacts and biofictions that arguably refuse to become artifacts. They are made using methyl-cellulose powder, coccolithophore skeletons (in the form of calcite pigment), and seawater from the Zeeland coast (that possibly includes some live coccolithophores
Golden sand ear bloom
seawater, cellulose, and calcite, June 2017
Jan van Eyck Open Studios
Text from Explore the Studios with Merel Bem, Jan van Eyck Open Studios, 2017
Jan van Eyck Open Studios
Text from Explore the Studios with Merel Bem, Jan van Eyck Open Studios, 2017
